Monday 7 March 2016

Superman Unmade #9: Untitled Superman vs Lobo project

Who wrote it?
Keith Giffen, co-creator of DC's "anti" anti-hero, Lobo.

When was it written?
It appears to have been turned in to Warner Bros. in or around September 2000.

What's the context?
Despite rumoured interest from Oliver Stone and reported talks with Ralph Zondag in the early months of 2000, nothing ever came of William Wisher's script.

In July 2000 Nicolas Cage made it plain to The Sunday Herald he'd given up on the project. "I was very excited about it for a while, but then I decided the time had come and gone."

Any heat generated by Wisher's script fizzled out. Superman did not live.

According to Superman vs Hollywood, Giffen (among other DC writers) was approached by Jenette Kahn, publisher of DC comics, on behalf of Lorenzo Di Bonaventura and Alan Horn. Giffen says WB was already keen on using Lobo from the get-go. He agreed to submit a treatment (a detailed summary laying out the story in prose form.)

WB and Joel Silver had been unsuccessfully trying to adapt Lobo for the big screen since the mid-'90s (read more about that here). Jerrold E. Brown's 1998 draft is out there on the web if you know where to look (as is a draft by Don Payne from 2009).

Prior to boarding the Superman project, Kevin Smith claims he'd encouraged WB to consult DC creatives; they'd demurred, citing the differences between comics and film, implying the DC guys didn't "get" movies. Apparently Meyer and Horn were trying to change that mindset; they were finally ready to listen to those who spent their days neck-deep in the mythologies.

For a while.

AICN broke news of the 17-page treatment's existence on October 18th, 2000. Harry Knowles, never knowingly less than hyperbolic, called it "the most ambitious and thrilling concept I've yet seen for a Superhero film."

Giffen confirmed its existence to Comics2film a week later, but added that contrary to Knowles' report, the project hadn't advanced to script stage yet. He declined to go into any more detail.

What's the story?
Intent on mining Earth of a mineral which induces an unparalleled high in select alien species, an intergalactic drug cartel hires Lobo to kill the planet's protector; Superman. Planet-hopping high-jinks ensue.

Why didn't it happen?
The official line? Cost. Despite being told to write without constraints, Giffen says his take was nixed because it was just too expensive. If Knowles' synopsis is accurate, it would have involved multiple planets, an asteroid, and at least one knock-down, drag-out fight on Earth. Those things don't come cheap, and it's odd that the studio (which had already scaled back the titanic battle with Doomsday in previous drafts of Superman Lives) thought it could substitute an equally physical antagonist and not pay through the nose for realising him on-screen.